Pam:
Welcome and thanks for being
here. Congratulations on winning the CBC’s bookie award for best Canadian
Thriller A TAP ON THE WINDOW. What do these awards mean to you?
Linwood:
It’s always a treat to get
some recognition for your work from readers and/or colleagues. You can be
desperate to win an award, and miserable when you don’t get it, but aside from
maybe the Booker or the Giller, I’m not convinced winning an award sells you
one extra book. But they’re nice.
Pam:
A TAP ON THE WINDOW is by far your best. The
circumstances your protagonist gets himself involved in would be the worst
nightmare for most folks. Do any of the events happening in your books have a
true element? Have you ever found yourself in a similar situation of picking up
a teenage hitch hiker?
Linwood:
No, nothing like that has
happened to me. On occasion, a plot element in one of my books may be inspired
by something that has actually happened in the news. But I give it enough of a
twist that it probably won’t be recognizable.
Pam:
What is a normal writing day
for you?
Linwood:
When I am in the thick of
writing a novel, which I am now, I tend to get to work by nine, and go until
about two or three, or until I have at least 2,000 words, whichever comes
first. But there’s a lot of getting up and wandering around and getting coffee
and maybe going to the basement to play pool for ten minutes. I don’t like
sitting at the computer for too long without a break.
Pam: Praise
for Trust your Eyes
“Riveting, frequently scary,
occasionally funny, and surprisingly, wonderfully tender. I could believe this
happening to people living two streets over from me. Great entertainment from a
suspense master.” -StephenKing
TRUST YOUR EYES came out in
2012 and had a technology theme. Without giving away any of the plot, its
undertone of where we might be headed with technology is fascinating .i.e. the
program WHIRL360.com Is technology your thing, and if so what is your
favourite device?
Linwood:
I like gadgets, but I’m not
a real techie. I still need help to update my website, and I still have no idea
what Instagram is, but I’ve embraced Facebook and Twitter (LOVE Twitter) and
also use them as promotional tools. I like thinking about how these new social
networks, and things like Google Street View, can be employed in modern crime
fiction. As for my favorite device, I think it would be our MacAir, a super
light laptop. Although my iPhone is surgically attached to my hand, for
checking emails and playing Scrabble.
Liz:
Is
there a topic you would never write about? If so, why?
Linwood:
A critical analysis of the
novels of Jane Austen is probably beyond me. I did a stint at Trent University
recently as writer-in-residence and was asked if I’d like to do something
different, like academic writing. “That’s where you’re looking at the really
big movie options,” I said. I think there are plenty of topics I’d avoid for
lack of interest. But if something came up in a book I was writing that some
might find unpleasant, I don’t know that I’d say, well, I can’t write about
that.
Pam:
Do you have a work in
progress? Can you give us a clue?
Linwood:
The book that will come out
in August, No Safe House, is all done and put to bed. It’s a sequel to No Time
for Goodbye, a big hit for me a few years ago. And right now I am writing the
book that will come out in August, 2015, the first in a trilogy about my
mythical Promise Falls.
Pam:
You have a big following in
the UK and other parts of the globe. Would you say, although your books are
situated in the US, that the genre is universal?
Linwood:
Absolutely. Take the
aforementioned No Time for Goodbye. That book has done probably a couple of
million copies around the globe. It taps into the fear of being abandoned by
your family, and that’s a pretty universal fear.
Pam:
You were recently honoured
by the Royal York Hotel. They named a cocktail after you. Linwood Barclay’s Negroni!
Tequila, Campari and sweet vermouth, with a grapefruit twist. You were
certainly in good company. Margaret Atwood, Robertson Davies to mention a few.
Have you tried it yet or do you prefer a beer?
Linwood:
I’m more of a white wine
guy, if anything. When I heard about the drink, my wife Neetha and I dropped by
to try it. The manager of the Library Bar is a very nice, and well read, guy.
He treated us to the drink and it may not be the best metaphor for one of my
books because I wasn’t quite able to finish it. But it was a lot of fun. I’ve
never been much of a drinker. My idea of living on the edge is a Mike’s Hard
Lemonade.
Pam:
TOO CLOSE TO HOME
won the Arthur Ellis award for Best Novel in 2009. Give us your thoughts on
conferences, book tours and all the social networking authors are expected to
do.
Linwood:
They’re fun, and they’re
exhausting. As publishers’ promotional budgets have shrunk, there’s been more
pressure on authors to tweet, and post things on Facebook, to engage with
readers directly. That can be effective, and the direct contact social media
allows is rewarding, but it all takes time away from the writing, too. As the
audience for my books has grown, there’s been greater pressure from my editors
to make them even better, so I do much more rewriting than I did in the past.
So I do the more important conferences, and the book tours, but beyond that I
am pulling back on appearances. I have a book to write.
Pam:
Do you have a favourite
author and what are you reading now?
Linwood:
My favourite author is Ross
Macdonald, whose novels I devoured when I was young, and whom I was fortunate
enough to meet and correspond with. These days, I have a great many favourites.
Right now I am reading Joe Hill’s NOS4A2, and next on the pile is Wayne
Johnston’s A World Elsewhere. His recent novel, The Son of a Certain Woman, was
terrific.
Pam: Your life and your books
are well documented. Was the switch from journalist to author an easy
transition for you?
Linwood:
The hard part was giving up
the Toronto Star dental plan. It was not a major adjustment. I wrote five
novels while still doing three columns a week, so when I went to books
full-time, the workload lightened. Briefly. I find now I am busier doing one
book a year, and no columns, than I was eight years ago doing a book and 120
columns annually. The thing is, I was writing novels in my teens and early
twenties (none of which, thank God, were published) so I’m just going back to
what I was trying to do in the first place.
Liz:
In your early days as a writer were you ever given advice you
didn’t follow and now regret, or vice versa?
Linwood:
Ross Macdonald told me my
writing was “too spare,” too quick. I needed to slow it down, work in my more
detail. It’s why, when I go back and rewrite, my books get longer, because I’ve
skimmed over the surface a bit too much. I think I’m always in a hurry, even
when I don’t need to be.
When you’re
done for the day and scaring the living daylights out of us I believe you play
with trains. Tell us about this occupation? It looks more than a mere
hobby.
Linwood:
Pam:
This is my standard
question. Have you ever considered collaborative writing?
Linwood:
My experiences with it have
not always been rewarding. I like to work alone. But if the right thing – and
the right partner – came along, I would consider it.
Liz:
Writing certainly appears to
be in your blood - could you see yourself making a living following other
pursuits?
Well, I have done other
things. I’ve been a newspaper columnist and a reporter (still writing) and for
12 years I was an editor at the Star. And years ago, I ran a trailer park and
cottage resort in the Kawarthas, which was fun at the time, but would not want
to do again. I think, if this writing thing goes south, I’d like to cut grass
all day with a lawn tractor. It’s one of the few jobs where you can instantly
see what you have accomplished.
Thanks Linwood for letting
us peek into your daily life as an author. I’m sure I would like a Linwood NEGRONI
, so Liz and I will push to get our book published. When the Royal York come
a-calling, with a Jamie Tremain whatever, be sure to try it out. Oh, maybe we
would need more than one book published !!.
Linwood
Barclay was born in the United States, but just as he was turning four, his
parents moved to Canada, settling in a Toronto suburb. Linwood’s father,
Everett, a commercial artist whose illustrations of automobiles appeared in
Life, Look and The Saturday Evening Post, had accepted an advertising position
north of the border.
As
the major car accounts switched more to photography for their magazine
advertising instead of illustrations, Linwood’s parents bought a cottage resort
and trailer park in the Kawartha Lakes region of Ontario. But when Linwood was
16, his father died, and he essentially took over running the family business
(an experience he wrote about in his memoir, Last Resort).
At
the age of 22, Linwood left the resort and got his first newspaper job, at the
Peterborough Examiner.
In 1981, he joined the Toronto Star, Canada’s largest circulation newspaper. For twelve years he held a variety of editing positions, then became the paper’s humour columnist in 1993. A few thousand columns later, he retired from the paper in 2008 to write books full-time.
In 1981, he joined the Toronto Star, Canada’s largest circulation newspaper. For twelve years he held a variety of editing positions, then became the paper’s humour columnist in 1993. A few thousand columns later, he retired from the paper in 2008 to write books full-time.
After
writing four comic thrillers featuring the character Zack Walker, Linwood
turned to darker, standalone novels, starting with No Time for Goodbye, which
became an international hit. The novel has been translated into nearly forty
languages, was the single bestselling novel in the UK in 2008. Since then, all
of Linwood’s novels have appeared on bestseller lists, and two of them – Trust
Your Eyes and Never Look Away – are in development for film and TV.
Linwood
studied English Literature at Trent University. He was fortunate to have some
very fine mentors; in particular, the celebrated Canadian author Margaret
Laurence, whom Linwood first met while she was serving as writer-in-residence
at Trent, and Kenneth Millar, who, under the name Ross Macdonald, wrote the
acclaimed series of mystery novels featuring the private eye Lew Archer.
It
was at Trent where he met his wife Neetha. They have been married more than
thirty years, and have two children, Spencer and Paige.
International Thriller
Writers
http://www.thrillerwriters.org
http://www.thrillerwriters.org
Next month I’m off to
Nelson, British Columbia to have a word with author Deryn Collier. Her debut novel Confined Space was a winner. Check
back here March 31st to find out what her main guy Bern Fortin
confronts in her new book Open Secret that launches April 8th 2014.
Photo
by Laura Wilby
Talk
soon,
Pam
and Liz